ÇöÀç À§Ä¡
ȨPenguin Classics
Àç°í Á¤È®µµ¸¦ À§ÇØ ³ë·ÂÇÏ°í ÀÖÀ¸´Ï ³Ê±×·¯¿î ¾çÇØ ºÎŹ µå¸³´Ï´Ù :)
¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤¡¤
¡Ø 10ºÎ ÀÌ»ó ´ë·® ÁÖ¹®ÇÏ½Ç °æ¿ì¿¡´Â °í°´¼¾ÅÍ¿¡ È®ÀÎ ÈÄ ÁÖ¹®ÇϽô °Ô ÁÁ½À´Ï´Ù.
1:1¹®Àdzª Ä«Åå ȤÀº ÀüÈ ÁÖ½Ã¸é ½Å¼ÓÇÏ°Ô ¾È³»ÇØ µå¸®°Ú½À´Ï´Ù :)
1:1¹®ÀÇ > Ä«Åå¹®ÀÇ > ¢Ï 02-3445-1703
µ¶Æ¯ÇÑ ¹®ÇÐÀû ±â¹ýÀ¸·Î ¼³µæ·ÂÀ» ȹµæÇÑ ÀÛÇ°
¡ºÇѹãÀÌ¿©, ¾È³ç¡»Àº ³²Æí°ú ¿¬Àεé·ÎºÎÅÍ ¹ö¸²¹Þ°í ¿Ü·Ó°Ô »ì¾Æ°¡´Â ÇÑ ¿©ÀÎÀÇ ´Ü¼øÇÑ À̾߱Ⱑ ¾Æ´Ï¶ó, Áö³ªÄ¡°Ô °ü½ÀÀûÀÌ°í »ó»ó·ÂÀÌ °áÇÌµÈ ¼¼»ó¿¡¼ ÀÎÁ¤¹ÞÁö ¸øÇÏ°í Èñ»ýµÇ´Â °¡¿²Àº ¿µÈ¥ÀÇ À̾߱â´Ù. ¿©¼ºÀ» ÀÌÇØÇÏÁö ¸øÇÏ´Â ³²¼º À§ÁÖ ¼¼°èÀÇ Èñ»ý¹°, ³²¼ºÀ» ½Å·ÚÇÒ ¼ö ¾ø´Â ¿©¼ºÀ» ´ëÇ¥ÇÏ´Â ¿©ÀÎ ¼ÒÇǾƸ¦ ±×¸®°í ÀÖ´Â ¡ºÇѹãÀÌ¿©, ¾È³ç¡»ÀÌ 1939³â¿¡ óÀ½ Ãâ°£µÇ¾úÀ» ¶§ »ç¶÷µéÀº ÀÌ ÀÛÇ°À» ¿Ü¸éÇß´Ù. ÀÌÀü¿¡ ¹ßÇ¥µÇ¾ú´ø ¸®½ºÀÇ ´Ù¸¥ ÀÛÇ°µé°ú ¸¶Âù°¡Áö·Î »çȸÀÇ ÀϹæÀû Èñ»ýÀÚ³ª ÇÇÇØÀÚ, ȤÀº ¼ºÀûÀ¸·Î ºÎ´çÇÏ°Ô ÂøÃë´çÇÏ´Â »ç¶÷À¸·Î ¼³Á¤µÈ ³ª¾àÇÏ°í ¹«·ÂÇÑ ¿©¼º ÁÖÀΰøÀÇ ¸ð½ÀÀÌ ±× ´ç½Ã ¿©¼ºµéÀÇ ÀÔ¸ÀÀ» ÀÚ±ØÇÏÁö ¸øÇ߱⠶§¹®ÀÌ´Ù. ¶ÇÇÑ ½ÇÆÐ¿Í ¹è¹ÝÀÇ Å׸¶, ±×¸®°í ¿©¼ºÀÇ Á¡ÁøÀû Ã߶ôÀÇ ¿øÀÎÀ» ±×¸®´Â ±â¹ýÀÌ ±× ½Ã´ë°¡ ¹Þ¾ÆµéÀ̱⿡´Â ³Ê¹«µµ µ¶Æ¯ÇÏ°í ¾Õ¼± ¼ºÁúÀÇ °ÍÀ̾ú´Ù. ÇÏÁö¸¸ 1958³â BBC ¹æ¼ÛÀ» ÅëÇØ ÀÌ ÀÛÇ°ÀÌ ±ØÈµÇ¾î ¼Ò°³µÇ¾úÀ» ¶§, Áø ¸®½º´Â ¿µ±¹¿¡¼ °¡Àå ÁÖ¸ñ¹Þ´Â ÀÛ°¡·Î ¸í¼ºÀ» ³¯·ÈÀ¸¸ç, 1966³â ¡º±¤¸·ÇÑ »ç¸£°¡¼Ò ¹Ù´Ù¡»°¡ ÃâÆǵǾúÀ» ¶§´Â ¡°°¡Àå ÈǸ¢ÇÑ, »ì¾Æ ÀÖ´Â ¿µ±¹ ÀÛ°¡¡±·Î ¼¼°èÀûÀΠĪ¼ÛÀ» ¹Þ¾Ò´Ù.
Jean Rhys's Good Morning Midnight is an unforgettable portrait of a woman bravely confronting loneliness and despair in her quest for self-determination
In 1930s Paris, where one cheap hotel room is very like another, a young woman is teaching herself indifference. She has escaped personal tragedy and has come to France to find courage and seek independence. She tells herself to expect nothing, especially not kindness, least of all from men. Tomorrow, she resolves, she will dye her hair blonde. Jean Rhys was a talent before her time with an impressive ability to express the anguish of young women. In Good Morning, Midnight Rhys created the powerfully modern portrait of Sophia Jansen, whose emancipation is far more painful and complicated than she could expect, but whose confession is flecked with triumph and elation.
With an introduction by A.L. Kennedy 'Her eloquence in the language of human sexual transactions is chilling, cynical, and surprisingly moving'
ÆòÁ¡ | Á¦¸ñ | ÀÛ¼ºÀÚ | ÀÛ¼ºÀÏ |
---|---|---|---|
µî·ÏµÈ »óÇ°ÈıⰡ ¾ø½À´Ï´Ù. |
¹øÈ£ | Á¦¸ñ | ÀÛ¼ºÀÚ | ÀÛ¼ºÀÏ | ÁøÇà»óȲ |
---|---|---|---|---|
µî·ÏµÈ »óÇ°¹®ÀÇ°¡ ¾ø½À´Ï´Ù. |
¹è¼Û¾È³»
¡Ø ¹è¼Û±â°£ : °áÁ¦ÀÏ·Î ºÎÅÍ 2 ~ 4 ÀÏ ¼Ò¿ä ( °øÈÞÀÏ Á¦¿Ü)
- ±¹³»Á¦ÀÛ »çÀÔ»óÇ°, DVD, µµ¼/»ê°£Áö¿ªÀº 5 ~ 7 ÀÏ ¼Ò¿ä
¡Ø ¹è¼Ûºñ : 2,500 ¿ø ( ½Ç °áÁ¦±Ý¾× ±âÁØ 3 ¸¸¿øÀÌ»ó ±¸¸Å½Ã ¹«·á )
- Á¦ÁÖ ¹× ±âŸ µµ¼Áö¿ª : µµ¼±·á( ±âº»¹è¼Ûºñ + 3,000 ¿ø ~ 8,000¿ø )
- ±ººÎ´ë ¹× Çؿܹè¼ÛÀº Áö¿øµÇÁö ¾Ê½À´Ï´Ù.
¡Ø Çù·ÂÅùè»ç : CJ ´ëÇÑÅë¿î http://www.doortodoor.co.kr/
¢Ï 1588 - 1255 ( ¿ù ~ ±Ý 08:00 ~ 18:00 / Åä 09:00 ~ 13:00 )
±³È¯/¹ÝÇ° ¾È³»
¡Ø »óÇ° ¼ö·É ÈÄ 7 ÀÏ À̳»¿¡ °í°´¼¾Å͸¦ ÅëÇØ ½ÅûÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
(ÀüÈ / Ä«Åå / 1:1¹®ÀÇ )
- À̺¥Æ® »óÇ°ÀÏ °æ¿ì »çÀºÇ°µµ °°ÀÌ ¹Ý³³ÇØ ÁÖ¼Å¾ß È¯ºÒµË´Ï´Ù.
- »óÇ°ºÒ·®ÀÎ °æ¿ì ¹è¼Ûºñ¸¦ Æ÷ÇÔÇÑ Àü¾×ÀÌ È¯ºÒµË´Ï´Ù.
¡Ø Àü »óÇ° ¹ÝÇ°½Ã 5,000 ¿ø ( °í°´ºÎ´ã )
- ºÎºÐ ¹ÝÇ°½Ã, ÁÖ¹®±Ý¾×ÀÌ 3¸¸¿ø ÀÌ»óÀ̸é 2,500 ¿ø (°í°´ºÎ´ã)
ÁÖ¹®±Ý¾×ÀÌ 3 ¸¸¿ø ¹Ì¸¸À̸é 5,000 ¿ø (°í°´ºÎ´ã)
¡Ø ¹ÝÇ° / ±³È¯ ºÒ°¡´ÉÇÑ °æ¿ì
- Æ÷ÀåµÈ µµ¼, CD µîÀÇ Æ÷ÀåÀ» °³ºÀ ¹× ÈѼÕÇÑ °æ¿ì,
- ´Ü±â°£¿¡ Çʵ¶ÀÌ °¡´ÉÇÑ µµ¼
ex) CD, ¿©Çà¼, ¸¸È, ¿ä¸®Ã¥, Áöµµ, »çÁøÁý, ¿öÅ©ºÏ µî
¡Ø ¹ÝÇ°ÁÖ¼Ò
- ¼¿ïƯº°½Ã ¼ºµ¿±¸ ¼º¼öÀÏ·Î 55(SKÅ×Å©³ëºôµù) ÁöÇÏ1Ãþ 101~102È£
À̹ÌÁö È®´ëº¸±â
Penguin Modern Classics : Good Morning, Midnight : ÇѹãÀÌ¿©, ¾È³ç (Paperback, ¿µ±¹ÆÇ)